Markets in highland areas where ethnic minorities reside are not only places of commerce, but also cultural festivals.

There is a very interesting kind of market in the Mekong River Delta. Thousands of boats gather to form a place of economic activity. Trading activities take place all day, but the most exciting time is in the morning when boats arrive loaded up with agricultural products.

The birth place of quan ho folk songs is Bac Ninh Province. During village festivals, which are held every year, particularly in spring, young men and women gather in the yard of a communal house or pagoda, on a hill or in a rowing boat, and sing quan ho. This is a style of singing where songs alternate from group to group.

Vietnamese water puppetry has a long history. An inscription on a stone stele in Doi Pagoda, Duy Tien District, Nam Ha Province, relates a water puppet show staged in the year 1121 to mark a birthday of King Ly Nhan Tong in 4036 words.

Cheo is a form of stage performance that originated in the northern countryside. The word cheo means “lyrics of folk ballads, proverbs”.

Cai luong is a kind of folk music that developed in the early 20th century. It was first played by amateurs in the south. Thanks to their soft voices, southerners sing cai luong very romantically.

Tuong, also called hat boi in the south, is a stage performance that came about during the Ly-Tran dynasties and that became very popular nationwide during the following centuries.

Hat van or hat chau van, a traditional folk art which combines singing and dancing, is a religious form of art used for extolling the merits of beneficent deities or deified national heroes. Its music and poetry are mingled with a variety of rhythms, pauses, tempos, stresses and pitches.

The then song is the religious music of the Tay, Nung minorities. This type of song can be considered a religious performance of Long Poems which depict a journey to the heavens to ask the Jade Emperor to settle trouble for the head of the household.

Chamber music originated from royal music at the beginning of the 19th century in the Nguyen Dynasty. It was well developed by the time of King Tu Duc.